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Directing Documentary Productions

Documentary Directing and Storytelling, written by James R (Jim) Martin offers a learning experience and an exploration into directing documentary story projects.

Interview at Shaolin Temple, China

Documentary Directing and Storytelling by James R (Jim) Martin

The best directors understand the traditions and aesthetics of the medium in which they are working. They also have an understanding of the crafts involved and may have worked at some of those jobs themselves. The focus of Documentary Directing and Storytelling, is on directing, but also includes information that experienced directors should know about the process of constructing a documentary story.

New Book

Documentary Directing and Storytelling, written by James R (Jim) Martin offers a learning experience and an exploration into directing documentary story projects.

The book looks at fundamental and advanced ideas about actuality documentary filmmaking and nonfiction storytelling of all types using film, video, multimedia and other mediums.

 Documentary Directing and Storytelling is a great read for anyone with a strong interest in documentary or nonfiction storytelling. There are many critical reviews of documentary films and the stories they tell from a directing and filmmaking perspective.

Available at Amazon.com  Print and/or Digital

Available at Apple iBooks

“I’m a filmmaker. I’m an artist. I’ve chosen to work in history the way someone might choose to work in still life or landscapes.” — Ken Burns

“I think it’s inevitable that people will come to find the documentary a more compelling and more important kind of film than fiction. Just as in literature, as the taste has moved from fiction to nonfiction, I think it’s going to happen in film as well. In a way you’re on a serendipitous journey, a journey, which is much more akin to the life experience. When you see somebody on the screen in a documentary, you’re really engaged with a person going through real life experiences. So for that period of time, as you watch the film, you are, in effect, in the shoes of another individual. What a privilege to have that experience.”  — Albert Maysles

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